Spit Take Saturday: Bo Burnham

2DEBB37CE-9098-46A3-23A54EE7C0FBE15E.jpg.pagespeed.ce.rY-nXBGn_lWelcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Earlier this spring, I spoke with Bo Burnham for The Boston Globe, and the subject of his two-year hiatus between specials came up. Burnham had developed a lot of career momentum when his YouTube videos led to his first EP, Bo Fo Sho, in 2008, on through his second special, Words Words Words in 2010. He has been working on the material for his new special, what., since at least 2011, when he performed much of it at the Wilbur Theatre in Boston, his last show before moving to LA.


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Spit Take Saturday: Bo Burnham

indexWelcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

__________________________________________

The most informative bit in Bo Burnham’s book of poetry, Egghead: Or, You Can’t Survive on Ideas Alone, comes at the end in the acknowledgments, in which Burnham thanks George Carlin and Shel Silverstein. Both had a deep appreciation of language and love for playing with it, a quality Burnham shares. Both also enjoyed decidedly adult material, as does Burnham. That’s how Burnham winds up with a collection that includes a contemplation on the shock of empathy (“The Party”), what could be the start of a science-fiction novel (“Xia Cobolt”), and a meditation on crapping philosophers (“Socrates”).



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Spit Take Saturday: 2012 Comedy Gift Guide

lenny

Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Each sense of humor is a little different, but who doesn’t love to laugh? With that in mind, we’ve got comedy both naughty and nice, memoirs and one-person shows, the classics, British comedy, alternative and musical. That should cover just about everyone, and some people two or three times.

Some of the newer releases reviewed on The Spit Take are here, and we tried to keep it fairly current while still choosing the best stuff in each category. Some choices would fit multiple categories, but we didn’t repeat artists or selections. Everything here is also fairly easy to find, at least online (that kept Belle Barth and Pearl Williams, whose work is mainly available on vinyl, out of the “Blue Christmas” section). Lists are in no particular order; feel free to leave your own suggestions for releases we neglected to cover below.”

 

Blue Christmas (Adult Material)

Lenny Bruce – “To Is a Preposition; Come Is a Verb”  There are better Bruce albums, but this collection ought to please fans of his more scatological side.

Robert Schimmel – “Unprotected”  Schimmel spoke frankly and explicitly about sex and his health, and could make you laugh describing a sigmoidoscopy.

Andrew Dice Clay – “The Day the Laughter Died”  Clay can be hard to take, but several contemporaries who work blue still cite him as an influence, and this is his best work.

Patrice O’Neal – “Mr. P”  Released after his untimely demise, this is just a sample of O’Neal’s brutal brilliance.

Redd Foxx – “Very Best of Redd Foxx: Fugg It!”  Foxx was a pioneer of the party album, “adult” comedy records that shops kept under the counter.

 

Santa’s Good List (Clean Comedy)

Jim Gaffigan – “Beyond the Pale”  Sing it with me, Pale Force Nation: “Hooot pockets!” Gaffigan has fun with a very accessible, food-obsessed “dumb guy” philosophy, but he’s a smart writer.

Mike Birbiglia – “Sleepwalk With Me Live”  Birbiglia is very easy to root for, and though he is not always the good guy in this story (which eventually became a book and a movie), he sees that. Remember, he’s in the future also.

Jerry Seinfeld – “I’m Telling You For the Last Time”  The premise of this album was that Seinfeld was retiring his best bits. No politics, no profanity stronger than “hell” or “damn,” just Seinfeld’s reliable observational humor.

Ray Romano – “Live at Carnegie Hall”  Romano drops the f-bomb early on, but it’s bleeped, and it’s clean—and funny—from then on.

Brian Regan – “The Epitome of Hyperbole”  It’s hard to resist Regan’s affable Everyman. He has a very specific cadence, one that can easily get stuck in your head, and a wonderful physicality. This special can be played for just about anyone.


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