Spit Take Saturday: Morgan Murphy

514Vah5BY5L._SL500_AA280_Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Morgan Murphy knows how to write a joke. She’s a Twitter phenom and has written for 2 Broke Girls, Late Night with Jimmy Fallon and Jimmy Kimmel Live. She’s got a great comedic mind, and it’s clear why she’s done well for herself as a TV writer—her jokes are smart and her material covers, with equal weight, Planned Parenthood and How To Lose a Guy in 10 Days.



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Spit Take Saturday: Bill Cosby

cosby far from finishedWelcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Comedy Central is a curious network. In its apparent effort to saturate the airwaves with as much stand up as possible, the comedy behemoth often puts up comics who aren’t TV-ready—comics whose sets either lack originality or are just plain unfunny. But every now and then the network makes a savvy decision, as it did in giving hour-long specials to underappreciated veterans like Kyle Kinane and the late Patrice O’Neal. Even in those moves, though, Comedy Central aimed for its target demographic: young men. So dedicating time to a 76-year-old who doesn’t curse and is best known to millennials for other people’s impersonations of him, rather than his actual comedy, could be considered a risky proposition.


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Spit Take Saturday: Tom Shillue

51XAsonDjrL._SL500_AA280_Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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For the past ten months, Tom Shillue has been on a comedy marathon, releasing one new album every month, each with its own theme. With Heyday, he is nearly to the finish line of what has so far been a successful experiment. He has done a remarkable job putting out consistently funny work, producing this series of Moth-like personal stories.



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Spit Take Saturday: Tom Shillue

impossiblethumbWelcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Midway through describing a random meeting with The Waltons actor Richard Thomas, Tom Shillue interrupts himself to marvel at the number of times people have incredulously asked how much truth his stories contain. “It’s all very basic stuff up here. I’m not rocking anybody’s world, right?” Shillue asserts, continuing, “Why in holy hell would I make up anything? I mean, if I was making this stuff up it would be profoundly uninteresting, wouldn’t it? It’s friggin’ boring! I ran into John Boy? Who gives a crap?”


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Spit Take Saturday: Tom Shillue

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Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Recorded at the Buell Theatre in Denver, “Big Room is the second of 12 consecutive monthly releases by Tom Shillue. It was recorded by Shillue himself over two shows with a combined audience, according to his estimate, of 3,600 people. He was opening for Jim Gaffigan.

As The Spit Take’s review of Shillue’s first album of the series, “Bigger, Stronger, Faster,” appropriately puts it: “This is a project worth following. Shillue is off to a strong start. Now he just needs eleven more 35-minute chunks as good as this one, and he’ll be set.”

Big Room is a 31.5-minute album, but there are only about 25 minutes of on-stage comedy, each of the two tracks being bookended by Shillue speaking directly into the recorder. Moreover, while each of the three tracks on his first album is built around its own self-contained story, “Big Room”’s two tracks are each opening sets for Gaffigan. By virtue of this premise, neither set allows Shillue room to fully explore his stories and tease out the details. Instead, each finds Shillue appropriately hitting on a few key areas, weaving them together the way any good opener should and would.

This is not to say that “Big Room” is worse than its predecessor, or by any means a bad album. Far from it. It is, however, a different album, and in this way it makes Shillue’s project even more intriguing. His first two releases are decidedly built around two distinct premises, which poses the question: What will his third album bring?


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