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Tuesday Tease: Cirque-Lesque!

 Poster with Trapeze ArtistOn this date in 1956, Ringling Bros. and Barnum & Bailey Circus closed its very last “Big Tent” show in Pittsburgh, Pennsylvania, signalling the end of an era; all subsequent circus shows would be held in sports arenas. This is significant because it was the end of the golden era of the circus. Once they entered sporting arenas a lot of the magic of the circus disappeared. For those of us that grew up in the 70s and 80s, arenas are we went to see the circus but somehow, sitting on grand stands in a cement box with sticky floors was not the circus that I imagined in my boyhood fantasies and it wasn’t until I was introduced to the cirque-noir movement in the late 90s via Circus Contraption and Bindlestiff Family Cirkus did I start to experience some of the “magic” of the old circus of my boyhood dreams.

Burlesque and circus have always operated in similar universes and many modern burlesque troupes incorporate circus arts into their shows and routines. This week on the Tuesday Tease, I want to highlight shows happening this week that incorporate a little bit of circus into their shows so I’m talking clowns, acrobats, magic and sideshow acts. While the big tents may be gone, we can still re-visit the magic of the magical circus days of yore.


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Tuesday Tease: House of Yes

228401-250This week on the Tuesday Tease, we divert a little from pure burlesque in order to feature a show at Brooklyn’s House of Yes that features burlesque mixed with circus arts. Our East Coast Representative Victor Chovil gives us a glimpse into their recent interpretation of “Peter Pan.”

House of Yes is an art space in East Williamsburg, Brooklyn that “supports performance, events and creative endeavors by providing the space and materials needed to make things happen.” House of Yes is also the home base of Sky Box, an aerial acrobatics group that holds workshops and classes every week. They’ve been a long time supporter of the burlesque and circus communities and we’re honored to feature them this week.

So, without further ado, I give you Victor and his review of “Peter Pan.” 

Producer-Director Anya Sapozhnikova has been selling out shows at Brooklyn’s House of Yes for years. I was lucky enough to attend the opening night of her latest project, an ambitious and fun interpretation of Peter Pan. Its a mix of trapeze, burlesque, puppetry and side-show; full of great music and a little poi. Think ballerinas spinning from ropes while the “lost boys” of Never Ever Land dance to Massive Attack on the stage below them.
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