The Mid-Week Beat: Rockin’ in the New Year!

imagesHappy 2014 everyone! I’m sure many of you are nursing some healthy hangovers today after last night’s festivities but the beat goes on. Why not start planning for your next night of musical festivities. Dick Clark may be gone but that doesn’t mean you can’t still have a rockin’ new year.

2013 was a great year in music for Brown Paper Tickets. We ticketed a ton of shows featuring up-and-coming and well established artists, as well as a whole slew of great festivals, tours and house shows.

2014 is already looking like another banner year and today on the Mid-Week Beat, I thought I’d share some exciting shows that are happening in this first month of the new year. Doesn’t matter what kind of music you dig: folk, blues, metal, singer/songwriters, r&b, classic rock or ska; we got you covered.

Check these out, enjoy the tunes and then get back in bed. New Year’s day is all about recovery.

Saturday, January 4 I Ramblin’ Jack ElliottSan Francisco, California

One of the last direct links to the great folk traditions of this country, Ramblin’ Jack Elliott is one of the legendary foundations of American folk music. In the tradition of roving troubadours Jack has carried the seeds and pollens of story and song for decades from one place to another, from one generation to the next.

In 1950, he met Woody Guthrie, moved in with the Guthrie family and traveled with Woody to California and Florida, from the redwood forests to the Gulf Stream waters. Along the way he learned the blues first-hand from Leadbelly, Mississippi John Hurt, the Reverend Gary Davis, Big Bill Broonzy, Brownie McGhee and Sonny Terry, Jesse Fuller and Champion Jack Dupree. So it’s fitting that in 2011, he received a Grammy Award in the Traditional Blues category for his album, A Stranger Here. He received the National Medal of Arts award and was honored with a special dinner at the White House.

Recently the award-winning film The Ballad of Ramblin’ Jack introduced a new generation to his timeless music and yarns.  SF Live Arts is honored to have this national treasure start their concert year.

Americana/country/rockabilly singer Vikki Lee opens the show.

Monday, January 6Keb’ Mo’ and Friends with Beth Nielsen Chapman, JT Hodges and Casey WasnerNashville, Tennessee

Keb’ Mo’ is a three-time American Grammy Award-winning blues musician. He is a singer, guitarist, and songwriter, currently living in Nashville, Tennessee with his wife Robbie Brooks Moore.

He has been described as “a living link to the seminal Delta blues that travelled up the Mississippi River and across the expanse of America.” His post-modern blues style is influenced by many eras and genres, including folk, rock, jazz and pop. The moniker “Keb Mo” was coined by his original drummer, Quentin Dennard, and picked up by his record label as a “street talk” abbreviation of his given name, Kevin Moore.

Join Kind of Blue Music for an intimate night of music in the round to benefit the Abrintra Montessori School, hosted by Montessori dad, Keb’ Mo’ himself.

Other artists will be: BETH NIELSEN CHAPMAN, JT HODGES and CASEY WASNER.

Raffle will include a beautiful Bedell Acoustic Guitar signed by the artists.


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Artist Ticket Picks: A Winter Solstice Party, Ska, Roller Derby and more!

300205-250Welcome to this week’s Artist Ticket Picks! The Artist Ticket program gives our customers a way to donate to causes that we care about.

If you’re an event producer, you can allow your ticket buyers to purchase limited-edition tickets printed with original artwork in your event settings. The ticket buyer will pay a small, additional charge of $0.25 and receive a limited edition, collectible ticket imprinted with original artwork. The current charity of our choosing will receive 100% of the additional charge. Physical tickets must be enabled on the event.

If you’re a ticket buyer, you can check to see if the limited edition ticket is available to you at the beginning of the ticket checkout process or by visiting the Artist Ticket page. You receive a small piece of collectible art and support a valuable cause just by checking the box in the Artist Ticket widget when you’re purchasing your tickets!

See a full list of events carrying the tickets on the Artist Ticket page, as well as find out more about the beneficiary for the current run of Artist Tickets.

So, without further ado, here are this week’s Artist Ticket picks:

Saturday, December 21 I The Winter Solstice Party with L’Orchestre d’IncroyableSeattle, Washington

Assembled in the gray light of a Seattle winter’s eve by the shadowy lunatic, M. Incroyable, L’Orchestre D’Incroyable exists on the premise of arcane calculus, moonlit ceremony, copious poison potions, and the occasional sacrificial slaughter. L’Orchestre lulls you into a trance, and stirs your inner demons to the point of driving the body to wild and sensual shaking. Armed with a melange of musical weaponry (homemade stringed boxes, banjo, upright bass, theremin, cello, percussion, baritone guitar and more) Incroyable’s meticulous methods of hypnosis and musical abuse are certain to render any audience slave to its sonorous tonic.

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The Upsetter Hits the Big Screen!

What do The Clash, Paul McCartney, Andrew W.K., Beastie Boys and Bob Marley have in common? They have all worked with legendary Jamaican producer Lee “Scratch” Perry, whose influence on music and audio engineering can not be over-stated. An infamous eccentric behind the mixing board, “The Upsetter” not only revolutionized reggae music in his native Jamaica; his influence can be heard in everything from electronica to indie rock to hip-hop.

Perry began his career in music in the late 50’s as a record seller for Clement “Coxone” Dodd’s Kingston sound system and quickly began recording tracks for Dodd’s Studio One record label, eventually recording nearly thirty ska and rocksteady tunes. Eventually he and Dodd had a falling out and he began working with Joe Gibbs. He shortly fell out with Gibbs as well and founded his own Upsetter record label in 1968. His first single “People Funny Boy” was one of the first records to contain a “sample” (of a baby crying) and it also featured the chugging, syncopated beat that would eventually become known as the “reggae” rhythm.
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