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Foodie Friday: Winner, Winner! Chicken Dinner!

Henrietta w Opal PeachyThis week on Foodie Friday, guest author Ronald Holden takes time from his Call Center duties to write about a hot ticket in Seattle that combines food and theater.

Dinner theater, that staple of summer resorts, gets a bad rap: tired scripts, bland food, performers of modest talent. But Seattle audiences have an admirable exception: a zany company of performers known as Cafe Nordo, whose twice-a-year dinner shows combine more-than-decent food (from pop-up kitchens) with pointed, topical satire.

It started four years ago, when Terry Podgorski and Erin Brindley, alums of a successful variety show known as Circus Contraption, created the persona of a fictional martinet, Chef Nordo Lefeszki. Their first production, in Fremont, brought together a cast of semi-professional entertainers for a show called The Modern American Chicken. The tuxedoed and feathered cast performed the saga of a hapless, happy hen named Henrietta.

“A hen is the egg’s way of making another egg,” said one character, energetically whipping egg whites. “And what makes a good egg? A good hen.”

From Fremont to Pioneer Square, from the International District to Washington Hall on the fringe of the CD, the Cafe Nordo players have found novel ways to tell their stories. A tribute to the Twin Peaks TV series; a nostalgic look at air travel; a parody of Gunsmoke-era westerns. The satire is always pointed squarely at big business, big government, big agriculture, easy targets for Podgorski’s sharp pen.
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Tuesday Tease: Cirque-Lesque!

 Poster with Trapeze ArtistOn this date in 1956, Ringling Bros. and Barnum & Bailey Circus closed its very last “Big Tent” show in Pittsburgh, Pennsylvania, signalling the end of an era; all subsequent circus shows would be held in sports arenas. This is significant because it was the end of the golden era of the circus. Once they entered sporting arenas a lot of the magic of the circus disappeared. For those of us that grew up in the 70s and 80s, arenas are we went to see the circus but somehow, sitting on grand stands in a cement box with sticky floors was not the circus that I imagined in my boyhood fantasies and it wasn’t until I was introduced to the cirque-noir movement in the late 90s via Circus Contraption and Bindlestiff Family Cirkus did I start to experience some of the “magic” of the old circus of my boyhood dreams.

Burlesque and circus have always operated in similar universes and many modern burlesque troupes incorporate circus arts into their shows and routines. This week on the Tuesday Tease, I want to highlight shows happening this week that incorporate a little bit of circus into their shows so I’m talking clowns, acrobats, magic and sideshow acts. While the big tents may be gone, we can still re-visit the magic of the magical circus days of yore.


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Introducing the Cafe Racer Artist Tickets!

About six months ago, on May 30, 2012, the Seattle artistic community was dealt a massive blow.

A lone gunman, Ian Stawicki, walked into the University District artist haven Cafe Racer and opened fire, killing two prominent members of the Seattle music scene, Drew Kariakedes and Joseph Albanese (known to most by their stage names Shmootzi the Clod and Meshuguna Joe) as well as Donald Largen and Kimberly Layfield. An employee of the Cafe, Leonard Meuse, was also shot but, miraculously, survived. The shooter then shot and killed Gloria Leonidas, a mother of two, in the Downtown/First Hill neighborhood about 30 minutes later, while stealing her SUV. He then drove the stolen vehicle to West Seattle where he killed himself in front of Seattle Police officers. It was a day of terror and tragedy that many of us in Seattle will never forget.

Drew and Joe were good friends of mine as our bands had played together often over the last 15 years. In fact, the last show that their band, God’s Favorite Beefcake had played, had been with my band The Bad Things, the Saturday before the shootings. The loss of these incredible musical talents cast a dark shadow over our tight-knit musical community and six months later, their absence is still felt every day.

The shooting struck a chord with Brown Paper Tickets as well. I had first heard of Brown Paper Tickets from Drew and Joe’s previous project, the Circus Contraption and everyone here felt a strong kinship with the folks in the Circus, who had used Brown Paper Tickets when the company was just starting out. Many others in the company had known Drew and Joe, had spent time at the Racer or seen God’s Favorite Beefcake, so this tragedy was something we all felt deeply passionate about.
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