Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.”
Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.
So, without further ado, let us introduce you to this week’s Spit Take Saturday!
In theory, Third Man Records is far from the ideal distributor for a comedy album. The Jack White-founded label has a live venue at its Nashville, Tennessee base where musical performances are recorded and transferred directly to vinyl. The practice runs counter to how the majority of modern comedy albums are produced, in which two or more performances are typically edited together to create the best show possible. At Third Man, though, the artist—as is the nature of live music—gets just one take.