Brown Paper Tickets uses cookies to provide the best experience on our website. By continuing to use our site, you agree to our Cookie Policy and Privacy Policy

Cookie Settings

Spit Take Saturday: 2012 Comedy Gift Guide

lenny

Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

________________________

Each sense of humor is a little different, but who doesn’t love to laugh? With that in mind, we’ve got comedy both naughty and nice, memoirs and one-person shows, the classics, British comedy, alternative and musical. That should cover just about everyone, and some people two or three times.

Some of the newer releases reviewed on The Spit Take are here, and we tried to keep it fairly current while still choosing the best stuff in each category. Some choices would fit multiple categories, but we didn’t repeat artists or selections. Everything here is also fairly easy to find, at least online (that kept Belle Barth and Pearl Williams, whose work is mainly available on vinyl, out of the “Blue Christmas” section). Lists are in no particular order; feel free to leave your own suggestions for releases we neglected to cover below.”

 

Blue Christmas (Adult Material)

Lenny Bruce – “To Is a Preposition; Come Is a Verb”  There are better Bruce albums, but this collection ought to please fans of his more scatological side.

Robert Schimmel – “Unprotected”  Schimmel spoke frankly and explicitly about sex and his health, and could make you laugh describing a sigmoidoscopy.

Andrew Dice Clay – “The Day the Laughter Died”  Clay can be hard to take, but several contemporaries who work blue still cite him as an influence, and this is his best work.

Patrice O’Neal – “Mr. P”  Released after his untimely demise, this is just a sample of O’Neal’s brutal brilliance.

Redd Foxx – “Very Best of Redd Foxx: Fugg It!”  Foxx was a pioneer of the party album, “adult” comedy records that shops kept under the counter.

 

Santa’s Good List (Clean Comedy)

Jim Gaffigan – “Beyond the Pale”  Sing it with me, Pale Force Nation: “Hooot pockets!” Gaffigan has fun with a very accessible, food-obsessed “dumb guy” philosophy, but he’s a smart writer.

Mike Birbiglia – “Sleepwalk With Me Live”  Birbiglia is very easy to root for, and though he is not always the good guy in this story (which eventually became a book and a movie), he sees that. Remember, he’s in the future also.

Jerry Seinfeld – “I’m Telling You For the Last Time”  The premise of this album was that Seinfeld was retiring his best bits. No politics, no profanity stronger than “hell” or “damn,” just Seinfeld’s reliable observational humor.

Ray Romano – “Live at Carnegie Hall”  Romano drops the f-bomb early on, but it’s bleeped, and it’s clean—and funny—from then on.

Brian Regan – “The Epitome of Hyperbole”  It’s hard to resist Regan’s affable Everyman. He has a very specific cadence, one that can easily get stuck in your head, and a wonderful physicality. This special can be played for just about anyone.


Read More…

Comedy >

Powerful combination: How to mix music and philanthropy

You can make a positive impact on the world through your events. We were lucky enough at SXSW to ask three music industry insiders how emerging musicians can create change. Their insights apply not only to bands and solo artists growing their careers, but to all of us that hold or organize events. You have a stage. Here’s how to use it for good:

Size doesn’t matter.

Of your audience, that is. As long as you have one fan, you have one person you can impact. Mike Martinovich, manager for My Morning Jacket and Flight of the Concords had this to say, “It doesn’t matter if you’re playing pubs, or an arena, you can make a difference. Collect emails. Collect a donation at the door. Tweet. The earlier musicians do it, the sooner it becomes institutionalized within themselves and their fans.”

Erin Potts, Executive Director at Air Traffic Control Education Fund agreed. “Musicians have historically been important allies in social justice… music helps people feel personally connected to issues. Musicians have incredible reach. Even small, beginning artists have email or social media lists larger than most non-profits.”

Respect your authority!

As an entertainer, you hold the great ability to reach and influence others on a very personal level. Andy Bernstein of HeadCount (which promotes such established groups as Pearl Jam, Phish, Death Cab for Cutie, and Dave Matthew’s Band) explains, “Social currency is everything. Musicians have the power to bring issues to the forefront with their social currency.”

Tip: You can watch Andy tell exactly how he helps artists make an impact in this video.


Read More…

Event Tips >

Picasso’s Birthday Party & Cancer Benefit at The Pit in NYC

Tomorrow, October 25th, is Pablo Picasso‘s 130th birthday. As most of you surely know, Picasso was a Spanish painter who co-founded the Cubist movement in the early part of the 20th Century. His full name was Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso, a name that pays homage to various saints and relatives and is quite challenging to say in one breath.

From an early age he had an interest in drawing. His father, Don José Ruiz y Blasco, was a painter who specialized in painting naturalistic portraits of birds and other game who felt that formal artistic training was important. So, from the age of seven, Pablo’s father trained him in figure drawing and oil painting. One popular story says that Picasso’s father discovered his son painting over his unfinished sketch of a pigeon at the age of thirteen and declared that his son had already surpassed him as an artist, whereupon he vowed to give up painting forever. When he was 16, his father enrolled him in the Royal Academy of San Fernando, Spain’s foremost art academy, but young Picasso disliked formal training and quit attending classes.
Read More…

Comedy >

BPT Mixtape #14 – Graeme’s UK Rock City!

It’s been too long since we’ve posted a BPT Mixtape, but fear not, the wait is over. Graeme over in our UK office put together a killer mix of his favorite hard-rocking hits. Lots of great stuff here: classic 70’s hard rock with AC/DC and KISS, some nice Brit-pop courtesy of Oasis, James and the Manic Street Preachers and current indie-rock faves The Hold Steady and The Gaslight Anthem. There’s even some comedic rapping courtesy of New Zealand’s Flight of the Conchords! One thing these songs all have in common? They all rock. Thanks Graeme.
Read More…

News >