Brown Paper Tickets uses cookies to provide the best experience on our website. By continuing to use our site, you agree to our Cookie Policy and Privacy Policy

Cookie Settings

The Pronto Podcast — Brown Paper Tickets’ Event Guide for Seattle

BPT_buttonWelcome to The Pronto! Brown Paper Ticket’s event guide for Seattle.

Tune in every Tuesday to check out a few of our favorite events in the Emerald City! You can check back to the blog every Tuesday at 10am or hit “subscribe” on the player and get each week’s Pronto delivered right to your computer.

Have a friend that’s visiting Seattle this week? Why not share this podcast with them and give them ideas of something to do? 

This week’s podcast features poetry, a talk on the music industry, School of Rock’s Holiday Party and more!

Tonight, Tuesday, December 17, through Thursday, December 19, it’s movie time at Northwest Film Forum on Capitol Hill. Improvement Club is equal parts musical comedy, dance party and mockumentary. Good fun.

Wednesday, December 18, head over to the Richard Hugo House on Capitol Hill for Who Will Speak— A Celebration of Poetry and Readers. Authors Roger Reeves and Natalie Diaz will read from their debut books. This one is presented with Copper Canyon Press.

How about a trip to Vashon? On Thursday, December 19, hit up Open Space for Art and Community for Acrobatic Conundrum: The Way Out. This one features heart stopping acrobatics, aerial, theater and dance wrapped around a story of survival. Worth the trip.

If you’re more concerned about your music career than the holidays, check out Martin Atkins’ workshop Welcome to the Music Business— You’re F*cked on Friday, December 20. Atkins has worked with Public Image Limited, Ministry and Nine Inch Nails, among others, so he knows what he’s talking about. This one is free and it’s at the Brown Paper Tickets office in Fremont.

You know about School of Rock, right? Kids learning to play in rock bands. On Friday, December 20, head over to Fred Wildlife Refuge on Capitol Hill for School of Rock’s Season Preview Show and Holiday Party. Bring your ear plugs. It might get loud.

Saturday, December 21, get your erotic holiday spirit in gear at The Sultry Solstice Cocktail Party at Love City Love on Capitol Hill. That’s song, dance, spoken word performances, skits and visual art. It’s bound to be a hot night.

Spend the evening at a coffeeshop in the U District as Cafe Soulstice presents the band Yesod, on Saturday, December 21. Best described as a blend of world, blues, jazz and ambient music styles, these rich, living soundscapes go great with your favorite caffeinated beverage.

On Sunday, December 22, why not celebrate the winter solstice at Columbia City Theater with The Longest Night: Bellydance for the Solstice. This show features performances by Verbena Belly Dance, Carouselle Tribal Belly Dance and the Blue Lotus Dance Company.


Read More…

Arts >

Tuesday Tease: RIP Dixie Evans, The Godmother of Burlesque

dixie-week-poster-croppedOn August 3rd, the burlesque world lost the woman who is probably most responsible for the burlesque revival and the preservation of its history. A legendary performer in her own right and an inspiration for multiple generations of burlesque performers, the “Marilyn Monroe of Burlesque,” Miss Dixie Evans.

Born as Mary Lee Evans in Long Beach, California on August 28, 1926, Dixie started her career in the 40s as a model and chorus girl, eventually becoming a star dancer. She was a headlining burlesque performer by the early 50s, performing up and down the West Coast as part of Harold Minsky’s “burlesque wheel” touring circuit. Minsky encouraged her to adapt her stage persona to that of Marilyn Monroe, given her strong resemblance to the, then rising, film star. While resistant at first, she eventually adopted the Monroe persona and it was that act that would define her career as a burlesque dancer.

Evans developed a well-received tribute show to Monroe following her death in 1962 but eventually dropped the act after being mistaken for the dead film star. This was deeply disturbing to Evans and so she eventually adapted her stage show into a parody of Irma La Douce, Shirley MacLaine’s character in the 1963 romantic comedy of the same name.
Read More…

Arts >