Spit Take Saturday: 2012 Comedy Gift Guide

December 22, 2012
By Brown Paper Tickets

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Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.”

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Each sense of humor is a little different, but who doesn’t love to laugh? With that in mind, we’ve got comedy both naughty and nice, memoirs and one-person shows, the classics, British comedy, alternative and musical. That should cover just about everyone, and some people two or three times.

Some of the newer releases reviewed on The Spit Take are here, and we tried to keep it fairly current while still choosing the best stuff in each category. Some choices would fit multiple categories, but we didn’t repeat artists or selections. Everything here is also fairly easy to find, at least online (that kept Belle Barth and Pearl Williams, whose work is mainly available on vinyl, out of the “Blue Christmas” section). Lists are in no particular order; feel free to leave your own suggestions for releases we neglected to cover below.”

Blue Christmas (Adult Material)

Lenny Bruce – “To Is a Preposition; Come Is a Verb” There are better Bruce albums, but this collection ought to please fans of his more scatological side.

Robert Schimmel – “Unprotected” Schimmel spoke frankly and explicitly about sex and his health, and could make you laugh describing a sigmoidoscopy.

Andrew Dice Clay – “The Day the Laughter Died” Clay can be hard to take, but several contemporaries who work blue still cite him as an influence, and this is his best work.

Patrice O’Neal – “Mr. P” Released after his untimely demise, this is just a sample of O’Neal’s brutal brilliance.

Redd Foxx – “Very Best of Redd Foxx: Fugg It!” Foxx was a pioneer of the party album, “adult” comedy records that shops kept under the counter.

Santa’s Good List (Clean Comedy)

Jim Gaffigan – “Beyond the Pale” Sing it with me, Pale Force Nation: “Hooot pockets!” Gaffigan has fun with a very accessible, food-obsessed “dumb guy” philosophy, but he’s a smart writer.

Mike Birbiglia – “Sleepwalk With Me Live” Birbiglia is very easy to root for, and though he is not always the good guy in this story (which eventually became a book and a movie), he sees that. Remember, he’s in the future also.

Jerry Seinfeld – “I’m Telling You For the Last Time” The premise of this album was that Seinfeld was retiring his best bits. No politics, no profanity stronger than “hell” or “damn,” just Seinfeld’s reliable observational humor.

Ray Romano – “Live at Carnegie Hall” Romano drops the f-bomb early on, but it’s bleeped, and it’s clean—and funny—from then on.

Brian Regan – “The Epitome of Hyperbole” It’s hard to resist Regan’s affable Everyman. He has a very specific cadence, one that can easily get stuck in your head, and a wonderful physicality. This special can be played for just about anyone.

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Spit Take Saturday: Tom Shillue

December 15, 2012
By Brown Paper Tickets

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Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.”

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Recorded at the Buell Theatre in Denver, “Big Room“ is the second of 12 consecutive monthly releases by Tom Shillue. It was recorded by Shillue himself over two shows with a combined audience, according to his estimate, of 3,600 people. He was opening for Jim Gaffigan.

As The Spit Take’s review of Shillue’s first album of the series, “Bigger, Stronger, Faster,” appropriately puts it: “This is a project worth following. Shillue is off to a strong start. Now he just needs eleven more 35-minute chunks as good as this one, and he’ll be set.”

Big Room is a 31.5-minute album, but there are only about 25 minutes of on-stage comedy, each of the two tracks being bookended by Shillue speaking directly into the recorder. Moreover, while each of the three tracks on his first album is built around its own self-contained story, “Big Room”’s two tracks are each opening sets for Gaffigan. By virtue of this premise, neither set allows Shillue room to fully explore his stories and tease out the details. Instead, each finds Shillue appropriately hitting on a few key areas, weaving them together the way any good opener should and would.

This is not to say that “Big Room” is worse than its predecessor, or by any means a bad album. Far from it. It is, however, a different album, and in this way it makes Shillue’s project even more intriguing. His first two releases are decidedly built around two distinct premises, which poses the question: What will his third album bring?

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Spit Take Saturday: Maria Bamford

December 8, 2012
By Brown Paper Tickets

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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The concept for Maria Bamford’s new “the special special special!” sounds amusing—a direct-to-fans download (available at Chill.com) shot in her living room with an audience of just her parents and a couple of crew members. The natural question is, can that novelty sustain a full hour?

“Special” is a purposefully awkward, sometimes downright intense, series of character monologues. Wayne Federman adds musical accompaniment on keyboard and Jackie Kashian introduces Bamford, traditional touches that further set the stage. The whole thing feels like it could have been directed by David Lynch, especially the short asides of Bamford giving her pug, Bert, his eye medicine or feeding her parents pizza during a particularly dark bit. More than anything else it’s intimate, a good fit for the type of distribution model pioneered by Louis C.K.

A feeling of something loose and comfortable yet highly choreographed pervades. Bert loafs on the couch behind Bamford in a long shot as the ceiling fan whirs. Federman laughs along with Bamford’s parents, who are lovely. There is a designated pee break. It’s a different situation, however, during the shots tightly focused on Bamford. With just a red stage curtain in the background, she purposefully locks eyes with the viewer. Depending on the character she’s in at the time, this can be admittedly unnerving.

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Spit Take Saturday: Kyle Kinane

November 24, 2012
By Brown Paper Tickets

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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“I want comedy to be taken as an art form,” Kyle Kinane says about two-thirds through his excellent special “Whiskey Icarus.” “I feel I put just as much heart and blood, sweat and tears into this as any musician or any sculptor, and I want it to be appreciated as such.” He then tells a short story in which he acts immaturely, eventually juxtaposing his earlier statement with “And that’s why I’m not an artist.”

Those 40 seconds capture the essence of Kinane’s comedy. The man’s a thinker. On a superficial level, the stories he tells of drunken shenanigans are just that: comedic bits with little substance beneath the words. But the personal touch he embeds into every strain of every anecdote is what gives his comedy that artistic integrity for which he strives. It’s the tone in his voice, the glances toward the floor, the pauses and the stammers in his cadence. There’s a struggle, and it’s at the heart of his act.

Kinane says at the top of the special that he believes a lot of comedy comes from “shared experiences—things that we can relate to.” His own comedy, though, is entirely rooted in his personal experiences, which points to a phenomenon of sorts: the more personal the comedy is, the more relatable it becomes.

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Spit Take Saturday: Nikki Glaser and Sara Schaefer

November 17, 2012
By Brown Paper Tickets

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Live Review: Nikki & Sara & Friends at the NY Comedy Festival, Liberty Hall at the Ace Hotel – November 10, 2012

As hosts of the weekly podcast “You Had To Be There,” Nikki Glaser and Sara Schaefer have an obvious rapport—one that earned them their own show on MTV, which debuts early next year. As part of the New York Comedy Festival, Glaser and Schaefer hosted “Nikki & Sara & Friends” at Liberty Hall—quite possibly the most awkwardly arranged venue in the city’s storied comedy history—with Gary Gulman, Pete Holmes, Dan Soder, Kyle Dunnigan and Bonnie McFarlane.

Glaser and Schaefer opened the show with a 10-minute set, the highlight of which was a discussion of Schaefer’s experience as part of a foursome. “Basically it was just me and another girl watching them have sex,” Schaefer said. Glaser segued into an anecdote about how two guys propositioned her for a threesome, which she found odd because not only were they probably gay, but “Who has a threesome on a Wednesday?”

The duo works well together: they don’t step on each other’s toes, their timing is admirable and they unquestionably elevate each other’s work. Glaser and Schaefer each performed a solo set between comedians, but it would have been nice to see them in action together more. With five comedians in tow, it’s hard to blame them for limiting their joint stage time, but considering how smoothly they work together, it would have only enhanced the show.

Comedy >

Spit Take Saturdays: Kevin Pollak

November 10, 2012
By Brown Paper Tickets

Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No ass-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.”

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

Kevin Pollak has led an enviable existence. He’s enjoyed a high level of success as a stand-up comedian and an actor, and his memoir, How I Slept My Way to the Middle: Secrets and Stories from Stage, Screen, and Interwebs (Lyons Press), features a long list of icons and mega-stars with whom Pollak has worked with and/or enjoys a close relationship. Many of them—including Steve Martin, Albert Brooks, Tom Hanks, Kevin Smith and Mark Cuban—offer supportive or sarcastic quotes sprinkled throughout the text (as does his Mom, and Pollak himself, in a few asides). There are stories about Warren Beatty, Tom Cruise, Robert De Niro, Johnny Carson and Jack Nicholson. It would all be so very chummy and schmaltzy if not for the fact that Pollak is so god-damned charming.
Read More…

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Spit Take Saturday: Jimmy Dunn

November 3, 2012
By Brown Paper Tickets

Boat Hack Cover! To anything but the most persistent comedy geek, the term “boat hack” will mean nothing. Boston comic Jimmy Dunn defines it as a terrible slur, aimed at comedians who work cruise ships for a living. “It implies not only are you a shi**y, unoriginal entertainer,” he writes, “you are also so desperate for work and approval that you’ve sold out your soul and have gone to work for the nit-wits and moronic masses that vacation on the ‘Whatever of the Seas.’” Which is why the book opens with Dunn sabotaging his cruise ship career by telling “The Aristocrats” joke, the vulgar, improvisational routine that inspired the movie of the same name, to a cruise audience.

“Boat Hack: A Stand-Up Comic’s Farewell to The Cruise Industry” is Dunn’s gruff exposé of cruise-ship comedy, his farewell letter, and a bit of a travelogue. He offers a sarcastic disclaimer to start, claiming that, despite his 12 or so years telling jokes on boats, none of the stories are true. “So don’t bother calling your lawyers,” he writes, addressing some anonymous cruise-line employee. “Or mine. I made it all up.” The book doesn’t read as false, so take the disclaimer with a gain of salt the size of Lot’s wife.

“Boat Hack” isn’t an in-depth, journalistic look at the industry. The chapters are short, usually only a couple of pages, some no longer than a couple of paragraphs. Dunn is no Bill Bryson, and offers no analysis of his observations, no Sociology 101. He treats almost everything as if he were writing it for the stage: focus on the laughs and the sarcasm, hit the punchline and get out. As a result, some of the stories seem a little incomplete.

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Spit Take Saturday: Ryan Singer

October 20, 2012
By Brown Paper Tickets

Ryan-Singer-Comedy-Wonder-Town-e1350384475340 Welcome to the newest weekly feature on the Brown Paper Tickets Blog, Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No ass-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.”

So, without further ado, let us introduce Spit Take Saturdays!
Read More…

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BPT at SXSW: Fair Trade Comedy at Esther’s Follies

March 12, 2012
By Jimmy Berg

Get ready Austin, Brown Paper Tickets is coming to SXSW 2012 and we got some great events planned.

One that we’re especially excited about is a comedy showcase organized by our very own Comedy Doer Julie Seabaugh. Julie has long been active in the stand-up comedy scene, first as a journalist and then working in PR, booking and production, and in February she launched The Spit Take, a comedy review site that hopes to serve as an honest, unbiased, taste-making entity that helps comedy criticism be taken seriously.

The “Fair Trade Comedy” showcase will take place this Wednesday, March 14, at Esther’s Follies. Officially presented by Brown Paper Tickets and the Spit Take, the showcase will feature stand-up from headliners Todd Barry and Brendon Walsh, two comedians that have been taking the comedy scene by storm. You may know Todd Barry from his appearances on Bored To Death, Flight of the Conchords, Lucky Louie and Chapelle’s Show. Brendon Walsh calls Austin his hometown and was the winner of the “Funniest Person in Austin” award in 2004. He’s appeared on Jimmy Kimmel Live as well as Comedy Central’s Premium Blend. He’ll also be featured in his own half hour comedy special on Comedy Central this spring. The show will also feature Nick Flanagan, Kristine Levine, DC Pierson and will be hosted by Nick Turner.

Here’s a little preview of what you can expect:

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Be sure to stop by our table in the foyer of Esther’s Follies and say hi. This is going to be THE comedy event of SXSW, so don’t miss it. We’ll see you there.

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