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Spit Take Saturday: Kurt Braunohler

a2606860869_2Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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The title of Kurt Braunohler’s debut album, How Do I Land?, comes from the hilarious and absurd stunt he pulled off this past March, for which he launched a Kickstarter campaign to raise $4,000 so he could enlist a pilot to skywrite “HOW DO I LAND?” across the Los Angeles sky. As Braunohler explains on the album, he believes inserting stupidity and absurdity into daily life for their own sake can make the world a better place, if only for a short time. Going so far as to say this premise is his “purpose as a comedian,” it’s quite clear that these are not hollow words, but rather something of a guiding vision for Braunohler’s onstage persona.


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Spit Take Saturday: Tom Shillue

impossiblethumbWelcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Midway through describing a random meeting with The Waltons actor Richard Thomas, Tom Shillue interrupts himself to marvel at the number of times people have incredulously asked how much truth his stories contain. “It’s all very basic stuff up here. I’m not rocking anybody’s world, right?” Shillue asserts, continuing, “Why in holy hell would I make up anything? I mean, if I was making this stuff up it would be profoundly uninteresting, wouldn’t it? It’s friggin’ boring! I ran into John Boy? Who gives a crap?”


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Spit Take Saturday: High Plains Comedy Festival

HPCF-logo_small_new-330x207Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Denver has been in desperate need of a national-quality stand-up festival for years. The explosion of open mics and alternative showcases, plus the city’s growing reputation as an incubator of new talent has nevertheless failed to put it on the same footing as similar scenes in Austin, Minneapolis and Portland, Oregon. Newer events like the Laugh Track Comedy Festival or the punk-rock Too Much Funstival are stacked with talented locals and a few out-of-towners, but neither have the resources or attention to compete with something like Portland’s Bridgetown Comedy Festival.
http://www.youtube.com/watch?v=zonKUSXBn3M&list=PL7503458342F9076B

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Spit Take Saturday: Caroline Rhea

carolinerhea250Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Plenty of seats remaining in her 120-capacity venue, Caroline Rhea was nevertheless in good spirits at her eponymous Edinburgh Festival Fringe show, or at least in good enough spirits to joke about how thing weren’t exactly going her way. “I had this song written for me for the Fringe,” she noted of her intro music, Neil Diamond’s “Sweet Caroline,” leading the audience in a synchronized arm-wave and chorus sing-a-long. She also recalled how, having spent summers in Scotland while growing up, her family always enjoyed After Eight Thin Mints following dinner. Out came the cookies, around they were passed, and in Rhea dove to an informal, personable, self-deprecating hour of material surprisingly and deliciously registering on the PG-13 side of the spectrum.


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Spit Take Saturday: Shane Mauss

shane-mauss-mating-season_32817Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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There are comedy festivals, and there is the Edinburgh Festival Fringe. Just ask Shane Mauss, whose self-spoken intro welcomed his small but amiable audience to “the finest comedy room in a car park in all of the Fringe! He’s been on Conan a bunch of times, Jimmy Kimmel and lots of other American shows you’ve never heard of and don’t care about…”


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Spit Take Saturday: Tom Shillue

51tRQr3VaRL._SL500_AA280_Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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Throughout The Spit Take’s coverage of Tom Shillue’s 12 in 12 project, we’ve used the word “experiment” a few times to describe the venture. That word choice is no accident; Shillue’s endeavor to release 12 albums in 12 months is utterly experimental, as even for someone with the utmost confidence in his or her comic ability, it’d be fairly difficult to guarantee success at the outset of such a project. Yet despite perceived high and low marks in the series, Shillue’s experiment must be deemed a success. We are at the three-quarters mark, and with each album that passes it becomes clearer and clearer that Shillue’s melding of sustained quality and prolificness is, frankly, unheard of.


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Spit Take Saturday: Just for Laughs Montreal

colin-quinn-artist-pic-330x251Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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At the top of his 1 p.m. Just for Laughs Keynote Address entitled Losers…I mean Loners in Unity, Colin Quinn marvelled, “Do you know how old you have to be to be the serious person at the comedy convention?”  As always, his gruff, stuttering, defiantly lovable persona was by turns self-effacing and unapologetically aggressive. A typical comedy career is not one that reaches a series of levels, he noted, pointing to his own varying successes with Remote Patrol, Tough Crowd and now one-man show Unconstitutional. There will always be ups and downs. And in order to avoid some of those downs, his advice included the following:

Bookers – Stop trying to edit comics’ sets.

Networks – Stop following “established” plans that do nothing but fail (and don’t test market to 14-year-olds).

Club owners – Stop hiring crowd-pleasing hacks. Respect the joke-writing process. Deal with hecklers.

Open micers – It takes five years to get any good. People doing it five years? It takes ten.

Established talent – Don’t be an a**hole. Say something. And above all, just be funny.


Later at Cinquième Salle, host Aidy Bryant brought out the nine New Faces: Characters performers to showcase three game-show style “chunks,” offering a rapid-fire sampler of sketch-style mayhem. Standouts included the versatile, sharp Samantha Martin (whose bit on Bjork ordering a pizza was the evening’s crowd favorite), the avuncular and rubber-voiced Mark Raterman, and the high-energy physical comedy of John Milhiser. The 50/50 split of genders and SNL-bait audition format was a refreshingly theatrical change from the litany of straight, mostly-dude stand-up sets offered elsewhere.


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Diane Weisman: The Inspiring Foot Behind “Kick Cancer in the Can”

434996241_640 Today on the blog, actress and Hollywood “dresser to the stars” Diane Weisman shares the personal story behind her battle with breast cancer and Kick Cancer in the Can With Diane, a web series that she started with her videographer husband to provide information and inspiration to others battling the disease. 

Next Monday, she’s hosting a comedy and magic fundraiser featuring George Wendt, Ritch Shydner, Eric Buss, Steve Mittleman, David Zasloff and Porsche Thomas. This evening is designed to help raise funds for post-production of Season One’s episodes.

Diane’s story is an inspirational account of a survivor that refuses to let a little thing like cancer keep her down and we are more than honored to be working with Diane on this very special event. If you’re in Los Angeles next Monday, we HIGHLY recommend that you embrace this incredible opportunity.

Here’s Diane to tell her story:

My mother and her twin sister passed away from breast cancer at the ages of 54 and 53. So I was quite familiar with breast cancer.

Then the scariest words I have ever heard were told to me: “You have breast cancer.” It was August 2010. I was at the age my mom was at when she died too. Was I to have the same fate as my mom and her twin sister?

I decided to educate myself and asked that I be “divinely protected and directed” as I go through this journey. I opened myself up to all types of Eastern medicine—Qi Gong, reflexology, Reiki, acupuncture, yoga, meditation—and Western: chemo, radiation, etc.

I also looked at nutrition: plant-based diet, I dropped meat from my diet and occasionally eat wild caught fish. I took out alcohol, dairy, eggs, white processed flour and sugar. I introduced myself to quinoa, burdock, daikon, macrobiotic diet and other foreign foods. I put in an alkaline water filtration system. My diet was alkaline based. I found out that tumors survive on sugar and an acidic diet. I was not going to give my two little tumors in my right breast any free meals!
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Spit Take Saturday: Craig Ferguson

14622604_201306031410_265x265_padWelcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

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If there’s anyone more deserving of the term “cheeky,” that person should promptly track down Craig Ferguson and strip the smiley-faced belt from his jolly Scottish midsection. Ever since Ferguson took over hosting duties for CBS’s The Late Late Show in 2005, he’s nightly brought viewers into his gently pompous world of crude animatronics and winking asides, broadening his American résumé beyond his bit role as the dick boss on The Drew Carey Show to include all manner of sparkly-eyed mugging.

** WARNING! This video contains language that may be offensive to some viewers. **

I’m Here to Help is the antidote to that. Both richer and harsher than the cutesy Late Late Show monologues, which years ago began to stray into a sort of in-joke schtick, Help reinforces Ferguson’s true mastery of a crowd. Sure, his public image is reflected during the credits of Help, which present a black-and-white montage of Ferguson as jet-setting rock star, complete with an entourage and private jet. Recorded at Washington, D.C.’s Warner Theatre, Help also features pre-show audience testimonials of Ferguson’s mesmerizing effect on his fans.
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Spit Take Saturday: Andy Kaufman

Andy_Kaufman_-_Andy_and_His_Grandmother-330x330Welcome to Spit Take Saturday, courtesy of Brown Paper Tickets’ Comedy Doer Julie Seabaugh and her professional comedy criticism site The Spit Take. Julie’s goal with the site is to “elevate the public perception of stand-up comedy to that of a legitimate art form, and to enable comedy criticism be taken as seriously as that of theater, film, music, food, even video games. No a**-kissing. No bias. No mercy. Just honest, unfiltered, long-form reviews written by professional, knowledgeable comedy critics.” 

Every week Julie will select an entry from the site to be included on our blog and hand-pick some related events happening that week that she feels all you comedy lovers out there will appreciate.

So, without further ado, let us introduce you to this week’s Spit Take Saturday!

__________________________________________

If Andy Kaufman were still alive, and some believe he still may be (Tony Clifton notwithstanding), one can only wonder what he’d make of Andy and His Grandmother. Chicago indie label Drag City is billing it as the first-ever release of an Andy Kaufman record, so on the scale of posthumous releases it easily rates a 10 for rarity (note: all Tupac albums are 1s or 2s).

In true Kaufman style, it’s not a comedy album in either the stand-up sense or the audio-sketch sense. But given his renown for a certain type of conceptual prank that has come to bear the unfortunate moniker of “anti-comedy,” it’s fair to ask if Kaufman would have wanted anything to do with this relatively straightforward, 17-track sampler, since it was culled from a staggering 82 hours of micro-cassette material that Kaufman recorded between 1977 and 1979 (during his Saturday Night Live fame but pre-Taxi and wrestling with ladies).
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